While some people choose to run these stock, I didn’t really like the idea of running something with electrolytic capacitors from 1948 - if one failed, it would be an absolute nightmare to fix. Actually if anything failed it would be a nightmare. Apart from that, quite a few resistors were way out of spec.
But after getting to the end of the process, I completely understand anyone’s reluctance to rip into one of these. It’s not easy to work on due to the lack of room in the chassis. This was slow work that required a lot of planning and patience.
Here's the conversion path that I've taken. Here's a Link to my original post with photos etc
BELL & HOWELL GAUMONT, MODEL 601 REBUILD
I will be using as many components as I can scavenge from the amp, and I'll keeping the schematic similar to the original (minus the weird bits).
The 601 is often said to be the same as the Filmosound 179 - British vs American; they certainly look the same, but there are differences in the schematic.
STRIPPED BACK TO THE ESSENTIALS
This is what it looks like clean with a few components and some transformer and heater wiring left in place. Excuse the dodgy paper masking tape - that's my labelling system for leads.
I can't imagine what it must have been like on the production line making these - so many parts were tucked away in tight locations, and there had to have been a very specific build order to get all the parts in. You'd really want to get it right the first time.
POWER SUPPLY
REBUILDING THE CIRCUIT BOARDS
A lot of people go the point to point route after they strip these down, I've decided to rebuild on tagboard using my own layout, as I think this will be easier to do (famous last words). In retrospect, I’m not sure the board made it any easier - it was still difficult. The style of tagboard that I'm using has smaller spacing than the original, so more components can fit.
1w carbon film resistors replace the old out of spec carbon composites that looked like a mix of 1/4 watt and 1w based on their size. I've managed to keep a few of the original Hunts coupling capacitors in the mix, as they are bang on spec, and still test like a new capacitor.
Note the dire sounding safety warning on the layout - this should be taken seriously if you are opening up any amp to poke around in.
I want to understand if it had quality control (QC) as a commodity during that era. With such a disordered layout, how can one ensure that each part functions properly? If it gets damaged, I don't even know which part to investigate for troubleshooting and repair.
ReplyDeleteIt was built with very high quality parts, and some are still working today (without modification). Perhaps the approach was "built to last" not thinking about repairs. I think quality control in manufacturing was excellent.
DeleteThe design was also modular, so if there were issues with the amp, it just drops out the bottom of the projector and is easily replaced.
The coupling caps are still within tolerance and test well. Most of the resistors are OK, but not all. I didn't even try reforming the electrolytic filter and cathode bypass capacitors - apart from the age, they took up a huge amount of space.