Given I mostly make my own layouts, I thought I may as well share them. It's also easier for me to access my layout files via a web page in the workshop (AKA the garage).
I also use this a reference for myself, hence the random datasheets and bits of tech info that may not make sense in isolation. I'm working on a few amp related projects at the moment, so there will be amp related posts.
So why do I bother doing this when there are other perfectly good layouts for guitar effects available? Because I find my own layouts easier to follow - which is not a criticism of other layouts, I find that if I created the layout, it's much easier for me to make the circuit, as I'm already familiar with the schematic and what goes where.
Sometimes layouts will lean towards space and symmetry over compactness; other times I may have aimed for as small as possible. I mostly prefer more generous-sized layouts, as I find them easier to work on. Part of the reason I started making my own layouts was that some were too cramped, and components didn’t fit properly.
If a layout is here, there's a decent chance that I've either built it, it's on my bench, or I intend on building it at a later date (if I ever get around to it). It's not my intention for this blog to be a repository of every effect ever traced; it's mainly about what I find interesting.
- follow a very direct or linear path for signal flow
- be easy to understand and compare to schematics
- not have too much text
SCHEMATICS FOR POINT-TO-POINT AND VERO LAYOUTS
CHANGES
POINT TO POINT & VERO LAYOUTS
GUITAR FX VERO LAYOUT GUIDE
I've had a few questions lately about some basics of my vero layouts - while this doesn't cover everything, I hope it helps clarify some basics for people just starting out. I'll put together a more detailed version here