Thursday, July 20, 2023

SOLA SOUND: Tone Bender MK1.75 'El Diablo'

The El Diablo...   A Dave Main creation, part Sola Sound MK1.5 Tone Bender / part Vox Tone Bender - hence the MK1.75 moniker.  And why El Diablo? apart from the colour, this thing sounds mean as hell.

They appeared to use a couple of different transistors for Q2, but the OC75 remains up front - the OC75 definitely provides a sonic signature in a circuit like this.  The version I saw with the OC84 transistor has a small silva-mica cap between the collector and base of Q1 (I couldn't see the value).  

From the Vox: 

  • smaller input cap
  • smaller Level pot
  • a resistor placed between the Attack pot and ground
  • resistor values
  • OC76 for Q2

From the MK1.5:  

  • 10n output cap (although some Vox carried this)
  • and of course, the OC75 for Q1 is pretty important


SOLA SOUND MK1.75 'EL DIABLO' TONE BENDER  -  0.15" VERO LAYOUT





So to get something sounding like the video below from pinstripedclips, I needed to use a relatively low gain transistor ~50hfe for Q1 and in some cases the D*A*M dirty hippie mod, often employed to help bias an OC75. 



I added the video below, as this is much closer to what I was getting on the breadboard with most of my transistors.  Also worth noting as mentioned by Phil in the comments, pinstripedclips has a fairly specific set-up, and who knows how that contributes.   



OC84 VERSION



OC76 VERSION



21 comments:

  1. Yeeeeeah! For the videos this is a mean sounding Vox Tone Bender! I will have to make one!

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  2. this sounds amazing, definitely going to have a run at it

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  3. Hi Andy regarding the 1st video I know that pinstripedclips uses a ZT Lunchbox (solid state) amp for most of his videos / clips and the fuzzes always have this super-crispy upper midrange tone. Similar to this tone which i love as well :

    https://www.youtube.com/watch?v=ZzeqjbA4iGY

    I've never managed to replicate his tones for builds i've made for the pedals he displays. As you say it's a combination of many factors. You can never rule out some extra processing in the DAW either. Anyway thanks for posting the layout, all the best

    Phil.

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    1. Thanks Phil - no doubt fairly different, but I might try hitting my little Vox Escort solid state with it to see comes out of that.

      Thanks for pointing this one out to me too.

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    2. thanks for putting this one up Andy! I put an NPN version together on the breadboard with GT404s, sounds legit to me. Thanks again! https://youtube.com/shorts/51ceaxbOe3g?feature=share

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    3. Sounds the business G.G. Nice, and NPN to boot

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  4. Very nice G.G.! what gains for the transistors did you use?

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  5. NIce. What is the dirty hippie mod? :)

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    1. I added some information on the mod in this post. https://vero-p2p.blogspot.com/2023/03/sola-sound-goldie-mk15-tone-bender-vero.html

      Extra resistor to ground on the base of Q1 to help with OC75 biasing, sometimes a 10n to ground on the input.

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  6. Phil, I really should put together a test circuit to measure transistor gains. I only have a handful of germaniums though so I've just been going with what I have. FWIW the GT404Bs I have all seem very consistent, I auditioned a few in this circuit and they all sounded the same. Tone-wise they're very compatible as well. This may sound like heresy, but I started with the PNP version on my breadboard using an OC75 I borrowed from a MKI build and ended up preferring the GT404Bs.

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    1. Respect to Dave Main and Ant Macari for what they do - part of which is excellent marketing.

      There’s nothing wrong with using different transistors, as they quite often sound the same or 95% similar to the ‘right’ transistors.

      Soviet transistors are often more predictable and better behaved than your average OC75.

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    2. Thanks G.G. As they say whatever sounds good is good! Just nice to get a bit of background info re. all that stuff. Ive got one of those Atlas transistor testers and the trouble is I probably get too hung up on HFE / leakage. Your's sounded great so i'm hoping I won't have too much trouble finding a good working set.

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    3. I agree with you Andy. The hyperbole that D Main uses to describe his (admittedly incredibly built / sounding) pedals borderline on ridiculous but I suppose it's all part of the fun and there are only so many ways to describe a fuzz pedal before it gets dull. Everyone admits that the original builders were fairly casual with their transistor selection so given what we know about hfe / leakage and voltages taken from good working pedals it shouldn't be impossible for us to build great sounding replicas.

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    4. I used to get hung up on a lot of details too, then after a lot of time on the breadboard testing transistors, I found that it mostly wasn't worth worrying about.

      It's good to know that transistors in a certain range tend to work well in a particular circuit, but that's about where I leave it. For me, the MKI remains the hardest to get right.

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    5. I used have a hard time time with the MK1/Zonk trying in vain to remove the dreaded sizzle / chirping. Swapping transistors for days cursing my lack of the 'right' ones until I read about using an input pulldown capacitor. Usually a 1nf cap will remove the high-end (sizzle) and not kill the highs. Now transistor swapping and circuit tweaking is far more forgiving and enjoyable.

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    6. I nearly always cheat on Zonks and use a 2n2 instead of a 1n input cap as well.

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    7. OK now the secrets are being revealed, getting my popcorn. :-D :-D :-D

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    8. Yeah Andy 1nf is punishingly bright and quite tinny sounding. I've gone all the way up to 10nf sometimes ha.

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    9. I've heard of the 10nf mod - I think it's called the MKI ;-) 1n is just too small for me. Even a 3n3 still keeps the Zonk sound, but just removes some of that nastiness

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  7. Ah cool will try that next time. Didn't even occur that it was the mk 1 cap! i've seen a few builders add switches to change the caps, may do that as well.

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    1. I’ve made one with a switch and they sound pretty good.

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