The Pete Cornish SS-2 Soft Sustain is Pete's interpretation of a MXR Distortion + and it's not a bad one at that (it's very nice actually). If you prefer a bit more control, try the SS-3, as it has bass and treble controls. The same overall sound, just more tweakable (if that's a word).
Like all things Pete Cornish related, put the Cornish buffer in front of it and wire it buffered bypass. Why use two single opamps instead of a dual - I don't know, ask Pete.
I did find that in my SS-3 build, using an old tin can single opamp gave me a certain grit and feel that I just wasn't getting with the modern equivalent, at the cost of a bit more noise. Both options sounded very good - I could have gone either way really.
PETE CORNISH SS-2 SOFT SUSTAIN - VERO LAYOUT
This is from the PedalPCB trace.
This is the frequency repose at a few different points in the signal path, with the sustain on full.
Below is the output, with varying amounts of sustain - as gain changes, so does the frequency response. One lower gain settings the tone control is really necessary to cut down the high peaks. Higher gain settings provide a prominent mid-range.
Sustain on 100%, tone at 0, 50% and 100%
This gives a clear progression of the signal - sine wave, clipped to a square wave in the first opamp, which is rounded out by the diodes, then it changes quite a bit as soon as it passes the 10n capacitor before the tone control (C5). Increasing the 10n cap changes the response of the circuit quite a bit.
Here's C5 with some different values - 10n is stock. As you can see, increasing C5 starts to return the signal to something resembling a square wave again as more low frequencies are allowed to pass.
I have made ss-2 by MARK's layout
ReplyDeleteand ss-3 by Andy’s layout.
Both of them are very very cool.
PETE cornish fx GREATEST.
Thanks Solderholic - they are both very good options.
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