Yes, I bought another vintage PA head & yes, this is another non-pedal related post.
This one is larger than the previous one at 25 watts, although I'll see where this lands once I eventually convert it. I may shave a bit of voltage off so the output doesn't have to work as hard, as I'd like to keep the RCA valves running as long as possible.
The PA1003 is part of a series, with its siblings being the 100 watt PA1001 and the 50 watt PA1002 with a few variations of each model available. They all look similar on the outside, but I'm not sure how similar they all are under the hood. The larger models look more complicated and use different valve sets by the look of it.
When I get around to it, I'll link a record of the modding process somewhere. Long story short, it now has Fender style preamp, TMB from a Bassman and the power amp stage is unchanged. Negative feedback has been removed. It sounds great, and has a tonne of output.
AWA MODEL PA1003 25 WATT VALVE PA AMPLIFIER
Similar to the AWA PA774, it has one high-impedance microphone input, one P.U. channel (for old school record players) with a tone control for the P.U. channel. There's a bass cut on the rear, intended for when the amp was used with horn speakers that can't handle low frequencies.
25 watts, push-pull arrangement using RCA 7027A valves - these are kind of a higher spec 6L6GC.
There were multiple optional extras available for this, which apparently included the power on/off switch. Fortunately there's at least space for one on the front that's already labeled, with a pre-drilled hole that has a cover on it that can easily be removed.
I'm a little disappointed that this one didn't have the 6" x 4" monitor speaker installed, cause that would have been a nice addition. Oddly, despite having no power switch, the switch for the monitor speaker is installed. That being said, I'm glad that the optional radio tuner was not installed, cause I would have ripped that out.
SCHEMATIC
The schematic below is very similar to the PA1003 that I have, but not identical. I actually spent a good deal of time tracing it before I found the schematic below… anyways, tracing is always a good learning experience.
Mine doesn't have the mic transformer and there are a few minor differences in values around the mic gain stage.
There's a wealth of information available here, care of Tim Robbins - I believe the schematic above is also by Tim, but I'm not certain of this. The schematics included are of the PA1003 with his modifications. Side note: He also has a guide to modding PA heads, Australian ones in particular; the theory probably applies to any weird old vintage PA amp.
This amp does have one unusual thing going on - the heaters for the 2 x 12AX7 are used as cathode bias for the output pentodes. There's a Silvertone that does a similar thing, and some Fisher hi-fi amps. This provides DC to the pre-amp heaters instead of the usual AC voltage, which in theory should make for quieter operation. There are some downsides, including a slow warm-up and limits on what output valves can be used.
No comments:
Post a Comment